The Case of the Gold Ring
Dark matter, bodies circling, blind boxing, fortune seekers, meteorite impacts, doomed romance, interstellar collisions, moon mining, promises given.
Story show; 30 mins
Written and performed by Sarah Gillett
“I’m trying to remember… it was some time when you and Jim were young – it was either for – it wasn’t a Christmas present and I don’t think it was birthday – it would either be valentine’s or going-on-holiday present, because sometimes he used to give me a going-on-holiday present…”
All stories contain mysteries, forgotten facts, missing details, days, weeks, months, years unrecorded and unremembered. In our orbits we connect with just a few of the people we pass by everyday on the street, in airports, at events. Everything we can touch, feel and see represents just 5% of the universe. The gaps in our memories and knowledge far outweigh the fragments we hold onto, yet through these fragments we can deduce the shape of the whole.
This story starts with a ring and a desire to know more about it. My question was: Where did it come from? During the process of making this work, I discovered this question has many answers.
“A ring is a small circular band, typically of precious metal and often set with one or more gemstones, worn on a finger as an ornament or as a token of marriage, engagement, or authority.”
“A ring is a series of resonant sounds or vibrations to signal an incoming call.”
“A ring is a thin band or disc of rock and ice particles round a planet.”
“A ring is a number of atoms bonded together to form a closed loop in a molecule.”
“A ring is an epic cycle.”
The making of The Case of the Gold Ring
Her hands were sore from the work. Bleaching the sheets to bring a galaxy into life had left her fingers dry, red and shiny. Her eyes hurt from the smell of it. As she sprinkled a fine mist onto the flat darkness she wondered if the act would cleanse the small air of her kitchen, a gaseous cloud forming that she could whoosh away through the open window.
Onto the galaxy she plotted journeys, lives and positions. Like most maps, it was not to scale, the vastness of the forgotten, the missing, the dark so huge that she had to swallow it down inside her before she became too terrified to move. Still, each story had remnants that she could relate to. She carefully labelled the precious fragments chronologically, adding details of their time and place. She connected the pieces with string, twisting it around nails, stretching it tightly across distances. She imagined the string of a thousand skeins, intersecting occasionally in a moment of collision, but mostly trailing off alone into the nothingness of the rafters.
There was the still-to-happen NASA Resource Prospector Mission to the Moon, the first mining expedition on another world.
There was The Ring of the London Metal Exchange in 2017, clearing around £14 billion of gold every day.
There were the astrophysicists in the Boulby Underground Laboratory, hunting for dark matter at the bottom of a mine in 2016. Trying to see the invisible.
There was the jeweller in Blackburn in 1998, melting down three rings to make one for Dorothea Gillett. Two diamond stars forever held apart in a gold loop.
There were the doomed lovers, Clarice and Charles, whirling around Blackpool Tower Ballroom in the 1950s. A glamorous couple.
There was the welterweight boxer, Andrew Jephtha, the first black fighter to win a British boxing title. Crossing the sea from Cape Town to Southampton in 1902 and back again in 1919, blinded from the blows in the ring.
There was the Witwatersrand Basin in South Africa, the world’s largest known gold reserves discovered in 1886. There were the Zama Zama, the illegal miners living in abandoned shafts and tunnels over 2 miles deep.
There were the crown jewels, melted down by Oliver Cromwell in 1649.
There were the Egyptian dwarf goldsmiths, working the ‘skin of the gods’ to reflect the power of the sun. Three metres of the oldest surviving map from 1160 BC, drawing a route from the River Nile to the goldmines.
There was the meteorite that hit Johannesburg 2.2 million years ago, the largest meteor impact to leave its imprint on the earth’s geology. The crater is 186 miles wide.
There was the late heavy bombardment of meteorites 3.8 billion years ago, bringing gold to Earth’s crust.
There was the Mars-sized meteorite that struck Earth with such force 4.5 billion years ago, that part of the planet was torn away and became the Moon.
There, long ago and far away, were the neutron stars drawn into each other’s orbits, colliding. Atoms fusing and new elements forming. Gold spewed far and wide across the universe. Folded into the newly forming Earth and sinking deep, deep down into the core.
A black hole where the stars had been.
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Stop motion animation made on my parents’ kitchen table in Lancashire and on the floor of an artist’s clapboard house in Los Angeles.
The relics and ghosts of long ago are brought together here as if in a wild dream of nature. Starting from the verticals of Uccello’s trees and dotted lines he cut into the wood I wanted to present a landscape of fragments that offers a framework for a narrative.
Most people whose mental digestion of the marvellous is quite robust will refuse to believe this account, and yet there must be a few whose hair has been stirred and whose hearts have beat an unusual tattoo at the sound of a ‘Something Inexplicable’ in the watches of the night. Our conclusion is that there are such things as spirits, and in believing, we tremble…