Gallery of Slip details, exhibition installation and studio documentation
The story behind Slip
Paolo di Dono, called Uccello (1397–1475):
The Hunt in the Forest (c.1465-1470)
tempera and oil, with traces of gold, on panel; 177cm x 73.3cm
The Hunt in the Forest is held in the collections of the Ashmolean Museum, Oxford.
Look at the clothes of the hunters in Uccello’s The Hunt in the Forest (1470) The colours – tangerine, geranium, lavender, rose, olive, blackberry, mushroom – are vivid against the deep forest because Uccello painted in the figures first as white silhouettes (whereas the foliage overhead was painted in from a black background). Each hunter has been dressed in contrasting tunic and hose, with orange being used for the horses’ tack.
I wondered about the inclusion of the small pond in the foreground, and about what might lie beneath…
Slip was first shown in the exhibition Quarry at the Brocket Gallery, London in 2016.
More works in Quarry
As if peering through a gap in the trees this art work focuses on the relationship between light and dark, quarry and hunter. The colour and form of the red figure references Uccello’s practice within the late Gothic tradition and reminds us that red is the colour of fairytales, representing blood (virginity, violence, death).
The relics and ghosts of long ago are brought together here as if in a wild dream of nature. Starting from the verticals of Uccello’s trees and dotted lines he cut into the wood I wanted to present a landscape of fragments that offers a framework for a narrative.
The dogs in south London are running. One of the big ones slows down as it passes me and I step back as its nose swerves into my crotch, waving my arms as though that would make any difference. If it were really hungry it would just eat me but I get a face full of hot meaty air and it’s a lucky day.
I think you might like...
Most people whose mental digestion of the marvellous is quite robust will refuse to believe this account, and yet there must be a few whose hair has been stirred and whose hearts have beat an unusual tattoo at the sound of a ‘Something Inexplicable’ in the watches of the night. Our conclusion is that there are such things as spirits, and in believing, we tremble…
In 2018 I entered the world of online dating. Quickly I began to see a pattern emerging across my matches; primarily, there were a lot of men stroking big cats. At first the photographs were merely absurd but the more I looked into this phenomenon the darker the implications of these photoshoots became. This series of drawings depicts some of my matches alongside data pulled together from a number of different dating platforms.