As if peering through a gap in the trees this art work focuses on the relationship between light and dark, quarry and hunter. The colour and form of the red figure references Uccello’s practice within the late Gothic tradition and reminds us that red is the colour of fairytales, representing blood (virginity, violence, death).
Gallery of Silk details and exhibition installation
The story behind Silk
Paolo di Dono, called Uccello (1397–1475):
The Hunt in the Forest (c.1465-1470)
tempera and oil, with traces of gold, on panel; 177cm x 73.3cm
The Hunt in the Forest is held in the collections of the Ashmolean Museum, Oxford.
I painted the empty spaces left on the canvas in black with collage based on Uccello’s trees behind to add depth. The bright yellow and orange of the leaves alludes to Uccello’s use of gold leaf to pick out highlights in his forest. By removing a central focus I wanted to create a space that I could imagine myself inhabiting.
Silk was first shown in the exhibition Quarry at the Brocket Gallery, London in 2016.
More works from Quarry
The relics and ghosts of long ago are brought together here as if in a wild dream of nature. Starting from the verticals of Uccello’s trees and dotted lines he cut into the wood I wanted to present a landscape of fragments that offers a framework for a narrative.
The dogs in south London are running. One of the big ones slows down as it passes me and I step back as its nose swerves into my crotch, waving my arms as though that would make any difference. If it were really hungry it would just eat me but I get a face full of hot meaty air and it’s a lucky day.
I think you might like...
Stop motion animation made on my parents’ kitchen table in Lancashire and on the floor of an artist’s clapboard house in Los Angeles.