
Quarry exhibition (2016)
In this exhibition Paolo Uccello’s painting The Hunt in the Forest (1470) is the basis for a series of works combining printmaking, needlepoint, text and collage
Investigating the life of things across space and time
The grinding keeps us awake all night. The slipping noise of tooth against tooth, the squeak and rasp of shiny enameled edges filing monotonously against an equal occluded opposite. The unconscious jaw, clicking sideways in and out of position like a ventriloquist’s dummy, mouthing an obscene joke with bitter accuracy.
The night song has a complex structure. It builds slowly, interrupted by snores, moans and moments of suspended silence when we hold our cyber breaths and listen for the start of the in-and-out again.
Schwup
Schwup
Sigh
Krrrrewp
Krrrrewp
Krrrrewp
Schwup
Click
Sigh
The grinding keeps us awake all night but we are never tired. The systems do not stop. Mechanical, electrical, impulse. Loom, hand, network, mind. We make new connections in every direction, up, down, horizontal, vertical, diagonal, lateral; new possibilities between terminals, switches and particles; new patterns from threads, colours and matrices. You are here and not-here, your hidden eyes searching another landscape, scanning left to right, looking for answers that you will forget on waking. We cannot dream but we know you do. You dream all the time.
In this exhibition Paolo Uccello’s painting The Hunt in the Forest (1470) is the basis for a series of works combining printmaking, needlepoint, text and collage
Accidental large scale collage created from the process of making other work: offcuts, leftovers, rejects and stencils at the end of their lives, having been printed, pressed, battered and cut into multiple times.
Salt is mined, extracted and evaporated. Stitching mends holes, fills in blank space. This artwork began life as the back of an unfinished needlepoint and grew into an exploration of geology and archeology.
Down, down, down she went. Could not stop herself falling…
This audio collage is constructed from 20 versions of the ‘well scene’ in audiobooks of Alice in Wonderland. It is not about Alice, but is an exploration of falling and feelings in sound.
Sarah Gillett is an artist and writer from Lancashire, UK.
She currently lives in London.