As if peering through a gap in the trees this art work focuses on the relationship between light and dark, quarry and hunter. The colour and form of the red figure references Uccello’s practice within the late Gothic tradition and reminds us that red is the colour of fairytales, representing blood (virginity, violence, death).
Gallery of Query details and exhibition installation shots
The story behind Query
Paolo di Dono, called Uccello (1397–1475):
The Hunt in the Forest (c.1465-1470)
tempera and oil, with traces of gold, on panel; 177cm x 73.3cm
The Hunt in the Forest is held in the collections of the Ashmolean Museum, Oxford.
Much of the process in making an image is usually hidden to use, and I became fascinated by this. I have patched and stitched the skin of this work and in doing so have created a set of ‘scars’ as an oblique language for creating an artwork.
Query was first shown in the exhibition Quarry at the Brocket Gallery, London in 2016.
More works in Quarry
The relics and ghosts of long ago are brought together here as if in a wild dream of nature. Starting from the verticals of Uccello’s trees and dotted lines he cut into the wood I wanted to present a landscape of fragments that offers a framework for a narrative.
The dogs in south London are running. One of the big ones slows down as it passes me and I step back as its nose swerves into my crotch, waving my arms as though that would make any difference. If it were really hungry it would just eat me but I get a face full of hot meaty air and it’s a lucky day.
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Gaga was the first word out of her mouth but unlike the other firsts in her life she had no memory of it. It was as if it had never happened.
Sometimes she wished she could gaga again, especially when she felt that lump in her throat, fat as a hardboiled egg swallowed by a snake.