Investigating the life of things across space and time

Plot

The crowd watches as she walks forward and unthreads a pale rose. Its thornless stem, shaven into meek concave depressions, fits her fingers. White faces fan her then turn slowly back to the flat green oblongs laid out on the grass, disappearing neatly into the pit.

Now the box is lifted. It is large and long but even though it is full it is not as heavy as it looks. Ten days makes a difference to weight.

Silent men hold its corners lightly. With the green oblongs pulled taut the box is lowered below ground. Sightlines are interrupted and resumed with a sigh.

Soil is offered and thrown down in handfuls. She imagines seeds too far underground, shoots never reaching the light. Years from now worms finding new richness in the earth. She lets the rose drop. Turning away from the men with their eager shovels and empty palms. Waiting.

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Hamelin and the Unsound House: snowy landscape cut up into vertical strips and rearranged so that the sky and snow and trees and cabin are abstracted and disjointed

Hamelin and The Unsound House (2013)

Hamelin is a rag puppet doll just under a metre in height that I took with me to Canada. She appears in So pass away the old timers, one by one as my alter ego. Multiplied through the process of etching, she exists in more than one dimension of space. She is also dressed as a fool: mischievous, bold, lost, never fitting in to the time she occupies or with the people around her. Everything about her is strange, to them and to herself.

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