Investigating the life of things across space and time

Earthquake and Tumbleweeds (2013)
collage, printmaking, objects; 3m x 2m (dimensions variable)

Earthquake, Tumbleweeds and Pioneer (2013)

Earthquake (work on wall)
An accidental large scale collage created from the process of making other work: offcuts, leftovers, rejects and stencils at the end of their lives, having been printed, pressed, battered and cut into multiple times.

Tumbleweeds (objects in foreground)
I made these from cutting sheet paper down to size; monoprinted and woven together.

Pioneer (lifesize etching seen in images below)
I drew and cut this figure from steel plates, based on two John Glenns – John Glen, an Irishman who was the first European to settle in Calgary in 1873, and John Glenn, the first US astronaut to orbit Earth, completing three orbits in 1962. Both these men journeyed beyond the world they knew and and lived epic experiences.

Gallery of Earthquake, Tumbleweeds and Pioneer

More from So pass away the old timers, one by one

Hamelin and the Unsound House: snowy landscape cut up into vertical strips and rearranged so that the sky and snow and trees and cabin are abstracted and disjointed

Hamelin and The Unsound House (2013)

Hamelin is a rag puppet doll just under a metre in height that I took with me to Canada. She appears in So pass away the old timers, one by one as my alter ego. Multiplied through the process of etching, she exists in more than one dimension of space. She is also dressed as a fool: mischievous, bold, lost, never fitting in to the time she occupies or with the people around her. Everything about her is strange, to them and to herself.

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PACK: A person in a blue hoodie on a bicycle looks behind them to see hundreds of dogs chasing them through a wide, empty city street

PACK

The dogs in south London are running. One of the big ones slows down as it passes me and I step back as its nose swerves into my crotch, waving my arms as though that would make any difference. If it were really hungry it would just eat me but I get a face full of hot meaty air and it’s a lucky day.

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A walk in the woods: a blue-legged figure with a dark cloth over their head and body stands against a brick wall with plants growing round it

A walk in the woods (2016)

This conversation between Sarah Gillett and the writer Amy Lay-Pettifer digs deeper into the artist’s relationship with Paolo Uccello’s painting The Hunt in the Forest (1470) and her wider art practice.

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