Flint
Teller 1: They are throwing stones again. The siren pulses through the streets, bouncing off the buildings almost as loudly as the glassy meteorites that cannot be cut or drilled by any material other than their own.
Clutch (2019)
Drawings, screenprints, lithographs and 3D collages by Sarah Gillett (2013-on going)
Gallery of Clutch and related works
Clutch (2019)
drawing; 210mm x 297mm; © Sarah Gillett
Night Night (2013)
lithograph; 29cm x 40cm; © Sarah Gillett
The tower (2013)
lithograph; 29cm x 40cm; © Sarah Gillett
A kind of loving (2013)
screenprint from drawing on truegrain; 100cm x 150cm; © Sarah Gillett
A kind of loving (2013)
screenprint from drawing on truegrain; work in progress at Royal College of Art; 100cm x 150cm; © Sarah Gillett
A kind of loving (2013) detail
screenprint from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013) detail
screenprint from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
screenprint from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
screenprint from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
screenprint from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
screenprint from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
lithograph from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
lithograph from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
lithograph from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
A kind of loving (2013)
lithograph from drawing on truegrain; 100cm x 150cm; studio documentation of work in progress; © Sarah Gillett
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Journey (2013)
A visual diary of a journey into the unknown, made during an artist residency at the University of Calgary.
Salt (2016)
Salt is mined, extracted and evaporated. Stitching mends holes, fills in blank space. This artwork began life as the back of an unfinished needlepoint and grew into an exploration of geology and archeology.
Query (2016)
In Paolo Uccello’s preparation of his wood panels for Hunt in the Forest (1470), he glued canvas over knots and scored lines into a black underlayer of paint to mark tree branches and vanishing points.