
Quarry (2016)
Like Paolo Uccello’s Hunt in the Forest (1470), Quarry came into existence from dark to light. Uccello’s technique created a theatrical depth and drama that I wanted to capture.
Investigating the life of things across space and time
Cyanotypes; 50cm x 70cm
by Sarah Gillett
Arm (2015)
cyanotype; 50cm x 70cm
Boundaries shift and perspectives change – in science, in geography, in society, in language. Encyclopaedias, dictionaries, atlases, medical journals, history books and pages on the internet become obsolete.
This series transforms fact into speculation through the elemental process of cyanotype. As though ripped from an oversized guide to the world, these mysterious works invite us to question the nature of learning and to examine the real and not real.
I could not have made this series of cyanotypes without the expertise and knowledge of the master printmaking technicians at the Royal College of Art. Thank you to Andrew Richardson, Robin Smart and Alan Smith.
Like Paolo Uccello’s Hunt in the Forest (1470), Quarry came into existence from dark to light. Uccello’s technique created a theatrical depth and drama that I wanted to capture.
Series of drawings of imaginary science fiction comic covers on intangible subjects from dark matter to ghosts.
Joseph reaches down and picks up a shell. He hands it to the boy, who is dragging a red plastic bucket across the sand. “Here. What about this one?”
Bill assesses the offering intently. “No Daddy,” he says firmly, “It’s broken here, see.”
A visual diary of a journey into the unknown, made during an artist residency at the University of Calgary.
Sarah Gillett is an artist and writer from Lancashire, UK.
She currently lives in London.