Investigating the life of things across space and time

A Sudden Flash Of Dream Sequence

She asks a local how to switch the sky back on. They all know the texture of Blue Dye House.  She hears the supermarket whispers, sees static recognition flickering across their faces. Clouds that look like thoughts follow her home, their wet breath flooding her clothes, her skin, her mouth. Climbing over the stile into the kitchen she falls into a lake.

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Quarry art work: a dark subterranean space is populated by absurd and strange creatures that flit in and behind the pillars that hold up the vaulted ceiling

Quarry (2016)

Like Paolo Uccello’s Hunt in the Forest (1470), Quarry came into existence from dark to light. Uccello’s technique created a theatrical depth and drama that I wanted to capture.

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PACK: A person in a blue hoodie on a bicycle looks behind them to see hundreds of dogs chasing them through a wide, empty city street

PACK

The dogs in south London are running. One of the big ones slows down as it passes me and I step back as its nose swerves into my crotch, waving my arms as though that would make any difference. If it were really hungry it would just eat me but I get a face full of hot meaty air and it’s a lucky day.

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Hamelin and the Unsound House: snowy landscape cut up into vertical strips and rearranged so that the sky and snow and trees and cabin are abstracted and disjointed

Hamelin and The Unsound House (2013)

Hamelin is a rag puppet doll just under a metre in height that I took with me to Canada. She appears in So pass away the old timers, one by one as my alter ego. Multiplied through the process of etching, she exists in more than one dimension of space. She is also dressed as a fool: mischievous, bold, lost, never fitting in to the time she occupies or with the people around her. Everything about her is strange, to them and to herself.

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